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John - Zac Russell
Jim - John Palmer
Beryl - Christina Cie
Hugh - Jimmy Carrick
Michael - Ngahere Hedlund
The Boss - Albie Smith
Wally - Chris Smith
Helping Hands (Messenger) - Trent D'arth
Director - Vikki Cottingham
Producer - Holly Pollock
Production Manager - Kate Birch
Stage Manager - Helen Topliss
Assistant Stage Manager - Jessica Keesing~Styles
Wardrobe - Ciara de Hora, Lynn Cottingham
Set - Jazzmin Heaven, Paul Topliss
Properties - Bridget Hastie, Paul Topliss
Construction - Ian Birch, Tom Birch, Liam Currican, Tom Standen, Shane Hartley, Paul Topliss, Matt McKenna
Lighting & Sound - Crystal Livingston, Parag Londhe
Phone Technician - Paul Topliss
Prompt - Michelle Smith
Marketing - Liz Cannon, Braydon Priest
Programme - Braydon Priest
Front Of House Manager - Michelle Smith
Front Of House Team - Dale Everiss, Raewyn Nevin, Karen Hayston, Braydon Priest, Grace Rhynd, Timea Nemeth, Kate Birch, Liz Cannon, Holly Pollock, Vikki Cottingham, Aimee Tribe
Additional Photography - Yasmina Birch
Ticketing - Meg Andrews
Canine Bringers of Joy - Tilly, Pippin

On 11 August 1976, a play about a small government office opened at Circa Theatre in Wellington. The waiting list passed a thousand names. It transferred to a bigger venue to keep up with demand, toured the country, and went on to inspire Gliding On, the sitcom that became a Kiwi institution.
Glide Time was Sir Roger Hall's first play, written after a lightbulb moment at a playwrights' workshop in Connecticut and partly, as he cheerfully admits, at his public service desk while being paid by the government. More than forty plays have followed over five decades, and in 2019 he was knighted for services to theatre. He is also a Takapuna local and a Patron of The PumpHouse Theatre, which makes staging this play here, fifty years on, feel exactly right.
I feel a huge responsibility with this one. Not only is it by one of my favourite playwrights, it is New Zealand history. It needs to be honoured and celebrated, because it's such a part of us.
From our very first read-through, hearing these words leap off the page reminded me just how good Sir Roger is at writing dialogue that makes it easy for us Kiwis to laugh at ourselves. Fifty years on, the jokes still land, and underneath them sits something geniune: a play about ordinary people finding small ways to stay themselves inside a system that was never really built for them.
The script stipulates that the play must be set in 1976, and Sir Roger puts it simply: "It's a play of its time. It seems silly to muck around with it." So we haven't. Our production team have conjured 1976 beautifully, and our cast have been extraordinary. Unlike their characters, they turn up on time, work far too hard, and have never once fudged a timesheet. It has been a privilege to build this world with them.
Vikki Cottingham
Director